Defining a Nation With Hula's Hands
"King Kalākaua saw hula as a way to reinforce Hawaiian nationhood"
(Hale qtd. in Hix, 2017).
During his reign, Kalākaua composed mele using western string instrumentation such as the guitar and ukulele. Combining this new music arrangement style with hula movement, the hula ku'i (lit. to join) found popularity, resurfacing during the 1870s. Kalākaua's hand-selected court dancers and glee club, Hui Lei Mamo became a customary part of royal events and were featured during his 1883 pono■ mo'i (coronation). In this way, Kalākaua applied the cultural practice of hula as a way to preserve self-determination of his beloved kingdom.
Sources:
Hix, L. (2017, March 22). How America’s Obsession With Hula Girls Almost Wrecked Hawai'i. Collectors Weekly. https://www.collectorsweekly.com/articles/how-americas-obsession- with-hula-girls-almost-wrecked-hawaii/ ● Napoleon, N. N. (2006). starbulletin.com | Features | /2006/04/16/. Archives.starbulletin.com; Honolulu Star-Bulletin. http://archives.starbulletin.com/2006/04/16/features/story01.html ● Silva, N. K. (2000). The Political Economy of Banning the Hula. The Hawaiian Journal of History, 34(n.i), 29–48. https://core.ac.uk/download/pdf/5014615.pdf ● Photo: Kalākaua's 49th birthday event, c.1885. Edward Arning (Hawaii State Archives).
Thank you for sharing this important information with us! Kalakaua played a significant role in the history of hula and I am beyond grateful I was able to accrue a passion for it since the age of 3. Its also interesting how hula has evolved since Kalakaua the style and mele are different in multiple ways!
ReplyDelete